Total number of titles:  1,771

Page number:  15
 

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Collection ID 106
Director: Tim Burton
Starring: Michael Keaton, Jack Nicholson, Kim Basinger, Robert Wuhl, Pat Hingle
Genre: Action
Studio: Warner Bros. Pictures   Release date: 1989   Rated: PG-13   
Language (Country): English, French (USA)
Summary: The Dark Knight of Gotham City begins his war on crime with his first major enemy being the clownishly homicidal Joker.
My Rating:
My Review: Tim Burton directs this classic comic book tale. The dark city of Gotham is plagued by criminals and corrupt cops. Even the D.A. and a dedicated police commissioner can't keep order when the crooks are everywhere. Bruce Wayne can't take another day of dark deeds. He dons a mask and cape and the moniker of Batman in order to fight crime for the sake of those trapped under the oppressing veil of corruption in Gotham city. A tragic accident creates a crazed criminal named 'The Joker' and Batman meets his nemesis. Filled with some excellent art direction and stage work, the costumes, atmosphere and camera work combined to make a believable Gotham. The acting by Michael Keaton (as Batman) and Jack Nicholson (as the Joker) was excellent and the pacing perfect. Of all the Batman movies I've seen, this is easily my favorite. All the classic characters, great acting, direction and an excellent comic book feel. I give it a 4 out of 5.



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Collection ID 890
Director: Tim Burton
Starring: Michael Keaton, Jack Nicholson, Kim Basinger, Robert Wuhl, Pat Hingle
Genre: Action
Studio: Warner Bros. Pictures   Release date: 1989   Rated: PG-13   
Language (Country): English, French (USA)
Summary: The Dark Knight of Gotham City begins his war on crime with his first major enemy being the clownishly homicidal Joker.
My Rating:
My Review: Tim Burton directs this classic comic book tale. The dark city of Gotham is plagued by criminals and corrupt cops. Even the D.A. and a dedicated police commissioner can't keep order when the crooks are everywhere. Bruce Wayne can't take another day of dark deeds. He dons a mask and cape and the moniker of Batman in order to fight crime for the sake of those trapped under the oppressing veil of corruption in Gotham city. A tragic accident creates a crazed criminal named 'The Joker' and Batman meets his nemesis. Filled with some excellent art direction and stage work, the costumes, atmosphere and camera work combined to make a believable Gotham. The acting by Michael Keaton (as Batman) and Jack Nicholson (as the Joker) was excellent and the pacing perfect. Of all the Batman movies I've seen, this is easily my favorite. All the classic characters, great acting, direction and an excellent comic book feel. I give it a 4 out of 5.



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Collection ID 1580
Director: J. Lee Thompson
Starring: Roddy McDowall, Claude Akins, Natalie Trundy, Severn Darden, Lew Ayres
Genre: Action, Sci-Fi, TV Movie
Studio: Apjac International   Release date: 1973   Rated: G   
Language (Country): English (USA)
Summary: After conquering the oppressive humans in "Conquest for the Planet of the Apes", Caesar must now keep the peace among the humans and apes. Gorilla General Aldo views things differently, and tries to cause an ape civil war. In the meantime, other human survivors learn of the ape city, and decide they want to take back civilization for themselves, thus setting the stage of warring ape factions and humans.
My Rating:
My Review: This final episode in the Planet of the Apes series is directed by J. Lee Thompson (The Guns of Navarone, Cape Fear, Conquest of the Planet of the Apes) and it stars Roddy McDowall, Austin Stoker, Claude Akins and others. This fifth and final movie brings us closer still to the 1st episode. Nuclear war has devastated civilization and ruined all cities. In the aftermath of this devastation, Cornelius (Played by Roddy McDowall) has established the first Ape city in the shadow of ruined humanity. Humans are subservient to apes, but Cornelius does his best to make sure that humans aren't treated the same way that apes were. When the apes explore the ruins of a nearby city, they trigger the ire of a group of human survivors. The humans follow the apes and discover the ape city. That's when the war begins! Setting the stage for all out warfare between the surviving humans and the now intelligent apes. Once again, the production value is fairly poor, and the timeline problems persist. The story isn't quite as predictable as the last, and the acting is the same. Good by the principles, so-so by the rest.



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Collection ID 799
Director: Ishirô Honda
Starring: Ryô Ikebe, Kyôko Anzai, Minoru Takada, Koreya Senda, Len Stanford
Genre: Sci-Fi
Studio: Toho Company   Release date: 1959   Rated:   
Language (Country): Japanese, English, Italian (Japan)
Summary: Munchkin-like aliens invade Earth full force with their flying saucers and laser weapons, rendering cities helpless. All eyes turn to the most powerful nations on Earth as they unite to concoct a plan to vanquish the aliens and return Earth to the hands of humans, thus, resulting in the most fierce and ultimate battle royale in outer space the galaxy as ever seen.
My Rating:
My Review:



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Collection ID 1516
Director: Ishirô Honda
Starring: Ryô Ikebe, Kyôko Anzai, Minoru Takada, Koreya Senda, Len Stanford
Genre: Sci-Fi
Studio: Toho Company   Release date: 1959   Rated:   
Language (Country): Japanese, English, Italian (Japan)
Summary: Munchkin-like aliens invade Earth full force with their flying saucers and laser weapons, rendering cities helpless. All eyes turn to the most powerful nations on Earth as they unite to concoct a plan to vanquish the aliens and return Earth to the hands of humans, thus, resulting in the most fierce and ultimate battle royale in outer space the galaxy as ever seen.
My Rating:
My Review:



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Collection ID 686
Director: Gillo Pontecorvo
Starring: Ricky Bell, Bobby Brown, Ronald De Voe, Johnny Gill, Michael Lamone Bivins
Genre: Art House & International
Studio: Criterion   Release date: 1967   Rated: NR   
Language (Country): French, Arabic (USA)
Summary: Director Gillo Pontecorvo's 1966 movie "The Battle of Algiers" concerns the violent struggle in the late 1950s for Algerian independence from France, where the film was banned on its release for fear of creating civil disturbances. Certainly, the heady, insurrectionary mood of the film, enhanced by a relentlessly pulsating Ennio Morricone soundtrack, makes for an emotionally high temperature throughout. Decades later, the advent of the "war against terror" has only intensified the film's relevance.
Shot in a gripping, quasi-documentary style, "The Battle of Algiers" uses a cast of untrained actors coupled with a stern voiceover. Initially, the film focuses on the conversion of young hoodlum Ali La Pointe (Brahim Haggiag) to F.L.N. (the Algerian Liberation Front). However, as a sequence of outrages and violent counter-terrorist measures ensue, it becomes clear that, as in Eisenstein's "October", it is the Revolution itself that is the true star of the film.
Pontecorvo balances cinematic tension with grimly acute political insight. He also manages an evenhandedness in depicting the adversaries. He doesn't flinch from demonstrating the civilian consequences of the F.L.N.'s bombings, while Colonel Mathieu, the French office brought in to quell the nationalists, is played by Jean Martin as a determined, shrewd, and, in his own way, honorable man. However, the closing scenes of the movie--a welter of smoke, teeming street demonstrations, and the pealing white noise of ululations--leaves the viewer both intellectually and emotionally convinced of the rightfulness of the liberation struggle. This is surely among a handful of the finest movies ever made. "--David Stubbs"

My Rating:
My Review: A controversial Italian film, that showcases the power of Neo-realism. Critical of the French government while remaining true to both sides of the story. This movie is the tale of native resistance to French rule in Algeria (back in the late 50's / early 60's). This movie is authentic, powerful and compelling. In a realistic depiction of revolutionary action, a group of Algerian rebels are hunted, haunted and harangued by the French military. In winning the battle, the French lose the war. Their tactics led to an intense examination (back home) of the costs of victory. The historically and strategically realistic depiction of military action is excellent. Full of tactics and ethics, we're exposed to a clinical, documentary style drama that uses makes excellent use of locations, sets and costumes to create an untouchable classic, an authentic look into guerilla warfare. Add in an Enio Morricone score, and you have another reason to appreciate this movie. The relevance of this film in today's world, remains as powerful as it is distressing. Must see for anyone studying the conflict in Iraq. : Marxist Poetry - The making of 'The Battle of Algiers



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Collection ID 1376
Director: Gillo Pontecorvo
Starring: Ricky Bell, Bobby Brown, Ronald De Voe, Johnny Gill, Michael Lamone Bivins
Genre: Art House & International
Studio: Criterion   Release date: 1967   Rated: NR   
Language (Country): French, Arabic (USA)
Summary: Director Gillo Pontecorvo's 1966 movie "The Battle of Algiers" concerns the violent struggle in the late 1950s for Algerian independence from France, where the film was banned on its release for fear of creating civil disturbances. Certainly, the heady, insurrectionary mood of the film, enhanced by a relentlessly pulsating Ennio Morricone soundtrack, makes for an emotionally high temperature throughout. Decades later, the advent of the "war against terror" has only intensified the film's relevance.
Shot in a gripping, quasi-documentary style, "The Battle of Algiers" uses a cast of untrained actors coupled with a stern voiceover. Initially, the film focuses on the conversion of young hoodlum Ali La Pointe (Brahim Haggiag) to F.L.N. (the Algerian Liberation Front). However, as a sequence of outrages and violent counter-terrorist measures ensue, it becomes clear that, as in Eisenstein's "October", it is the Revolution itself that is the true star of the film.
Pontecorvo balances cinematic tension with grimly acute political insight. He also manages an evenhandedness in depicting the adversaries. He doesn't flinch from demonstrating the civilian consequences of the F.L.N.'s bombings, while Colonel Mathieu, the French office brought in to quell the nationalists, is played by Jean Martin as a determined, shrewd, and, in his own way, honorable man. However, the closing scenes of the movie--a welter of smoke, teeming street demonstrations, and the pealing white noise of ululations--leaves the viewer both intellectually and emotionally convinced of the rightfulness of the liberation struggle. This is surely among a handful of the finest movies ever made. "--David Stubbs"

My Rating:
My Review: A controversial Italian film, that showcases the power of Neo-realism. Critical of the French government while remaining true to both sides of the story. This movie is the tale of native resistance to French rule in Algeria (back in the late 50's / early 60's). This movie is authentic, powerful and compelling. In a realistic depiction of revolutionary action, a group of Algerian rebels are hunted, haunted and harangued by the French military. In winning the battle, the French lose the war. Their tactics led to an intense examination (back home) of the costs of victory. The historically and strategically realistic depiction of military action is excellent. Full of tactics and ethics, we're exposed to a clinical, documentary style drama that uses makes excellent use of locations, sets and costumes to create an untouchable classic, an authentic look into guerilla warfare. Add in an Enio Morricone score, and you have another reason to appreciate this movie. The relevance of this film in today's world, remains as powerful as it is distressing. Must see for anyone studying the conflict in Iraq. : Marxist Poetry - The making of 'The Battle of Algiers



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Collection ID 669
Director: Danny Boyle
Starring: Leonardo DiCaprio, Tilda Swinton, Virginie Ledoyen, Guillaume Canet, Robert Carlyle
Genre: Action & Adventure
Studio: Tcfhe   Release date: 2000   Rated: R   
Language (Country): English (USA)
Summary: Leonardo DiCaprio sought to distance himself from the purity of his character in "Titanic", and his role in "The Beach" is in many ways a polar opposite. As Richard, a young American seeking to "suck in the experience" of freestyle travel in Thailand, he's a chronic liar, a pot-smoking hedonist, an amoral lover, and ultimately an unstable snake in a doomed Garden of Eden. This crazy descent might be expected from the filmmakers of "Trainspotting", but "The Beach" is a movie without a rudder, venturing into fascinating territory, promising a stimulating adventure, and then careening out of control.
After receiving a not-so-secret map to a secluded island from a stoned-out loony (Robert Carlyle, full of dark portent and spittle), Richard sets out to find the hidden paradise with a young French couple (Virginie Ledoyen, Guillaume Canet). What they find is a tropical commune existing in delicate balance with Thai pot farmers, and before long--as always--there's trouble in paradise. There's trouble in the movie, too, as DiCaprio is reduced to histrionics when the plot turns into a muddled mix of "Lord of the Flies" and "Apocalypse Now", with shark attacks tossed in for shallow tension. Director Danny Boyle attempts perfunctory romance and a few audacious moves (notably DiCaprio's vision of life as a violent video game), but what's the point? Tilda Swinton registers strongly as the commune's charismatic leader, but her character--and the entire film--remains largely undeveloped, and pretty scenery is no guarantee of a laudable film. "--Jeff Shannon"

My Rating:
My Review: Here's a movie I've seen before. The wife like Leonardo DiCaprio, and we bought this DVD at a garage sale. A movie which examines utopian ideals. A young backpacker is looking for paradise; a tropical beach away from the tourist path. He stumbles upon a utopian colony during a chance encounter. With map in hand, and the lure of paradise, he drags along two strangers. Together they take a journey to paradise, and discover that utopia is better as an ideal. The cinematography in this movie was excellent, as were the tropical locations. The acting was pretty good for a young group of relatively (aside from Leonardo DiCaprio) unknown actors. The pacing was a bit fast, but it was well complemented by an excellent soundtrack. Based on a novel, the movie seemed a bit thin in exploration of some themes. You could tell that the writers were doing their best to pack in as much of the book as possible. The characters were relatively well formed, and I really enjoyed this movie. I found it engrossing, thought provoking and entertaining.



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Collection ID 1363
Director: Danny Boyle
Starring: Leonardo DiCaprio, Tilda Swinton, Virginie Ledoyen, Guillaume Canet, Robert Carlyle
Genre: Action & Adventure
Studio: Tcfhe   Release date: 2000   Rated: R   
Language (Country): English (USA)
Summary: Leonardo DiCaprio sought to distance himself from the purity of his character in "Titanic", and his role in "The Beach" is in many ways a polar opposite. As Richard, a young American seeking to "suck in the experience" of freestyle travel in Thailand, he's a chronic liar, a pot-smoking hedonist, an amoral lover, and ultimately an unstable snake in a doomed Garden of Eden. This crazy descent might be expected from the filmmakers of "Trainspotting", but "The Beach" is a movie without a rudder, venturing into fascinating territory, promising a stimulating adventure, and then careening out of control.
After receiving a not-so-secret map to a secluded island from a stoned-out loony (Robert Carlyle, full of dark portent and spittle), Richard sets out to find the hidden paradise with a young French couple (Virginie Ledoyen, Guillaume Canet). What they find is a tropical commune existing in delicate balance with Thai pot farmers, and before long--as always--there's trouble in paradise. There's trouble in the movie, too, as DiCaprio is reduced to histrionics when the plot turns into a muddled mix of "Lord of the Flies" and "Apocalypse Now", with shark attacks tossed in for shallow tension. Director Danny Boyle attempts perfunctory romance and a few audacious moves (notably DiCaprio's vision of life as a violent video game), but what's the point? Tilda Swinton registers strongly as the commune's charismatic leader, but her character--and the entire film--remains largely undeveloped, and pretty scenery is no guarantee of a laudable film. "--Jeff Shannon"

My Rating:
My Review: Here's a movie I've seen before. The wife like Leonardo DiCaprio, and we bought this DVD at a garage sale. A movie which examines utopian ideals. A young backpacker is looking for paradise; a tropical beach away from the tourist path. He stumbles upon a utopian colony during a chance encounter. With map in hand, and the lure of paradise, he drags along two strangers. Together they take a journey to paradise, and discover that utopia is better as an ideal. The cinematography in this movie was excellent, as were the tropical locations. The acting was pretty good for a young group of relatively (aside from Leonardo DiCaprio) unknown actors. The pacing was a bit fast, but it was well complemented by an excellent soundtrack. Based on a novel, the movie seemed a bit thin in exploration of some themes. You could tell that the writers were doing their best to pack in as much of the book as possible. The characters were relatively well formed, and I really enjoyed this movie. I found it engrossing, thought provoking and entertaining.



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Collection ID 229
Director: Garry Marshall
Starring: Bette Midler, Barbara Hershey, John Heard, Spalding Gray, Lainie Kazan
Genre: Drama
Studio: All Girl Productions   Release date: 1988   Rated: PG-13   
Language (Country): English (USA)
Summary: A privileged rich debutante and a cynical struggling entertainer share a turbulent, but strong childhood friendship over the years.
My Rating:
My Review:



 
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